Nolan’s Odyssey just posted the biggest global opening of his career — $264 million, ahead of Oppenheimer, with nearly …

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Nolan’s Odyssey just posted the biggest global opening of his career — $264 million, ahead of Oppenheimer, with nearly 60% of it from IMAX and premium screens. People paid extra for the format he fought to build. That’s the whole argument. He didn’t reject technology — he pushed IMAX to engineer a new camera for him. He just refused to let any tool make the decision that matters: what’s worth pointing it at. Execution got cheap. Direction didn’t. The founders who win next won’t be the ones who…

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